ANNA CURTIS
Professional
development
1981
Completed Diploma of Fine Art, Bendigo College Advanced
Education.
1983-89
Resident, Mackay.
1983-89
Part
time tutor, printmaking, drawing and design, Mackay College of
TAFE.
1990
Resident, Darwin.
1993
Travels to India, Nepal and Europe.
1994-present
Full time professional artist, now living in tropical North
Queensland.
Awards
/Commissions
2007
Finalist in the Memento Australia Awards
2004
Finalist in Silkcut Linoprint Awards.
2003
Commissioned linoprint for ESA Conference, Armidale.
2002
Finalist in Fremantle Print Awards.
1993
Commissioned series of linoprints for Welfare State International,
U.K.
1990
Commissioned to design Darwin’s Bougainvillea Festival Poster.
1988
/89
First Prize, Print Section, Art and Artists, Mackay.
1987
/89
Finalist Suncorp Exhibition, Museum of Contemporary Art,
Brisbane.
1987
Major Art Prize, Art and Artists, Mackay.
1987
First Prize, Miniature Section, Art and Artists, Mackay.
1984
First Prize,
Print Section Caltex Exhibition, Mackay.
Collections /
Publications
Art Gallery
of N.S.W.
Mitsuri City,
Japan.
Centre of
Adult Education, Wangaratta.
Australian
Country Style, August
2003.
ABC TV
Stateline, N.T. June 2004.
Anna has held
numerous solo and group exhibitions in galleries around Australia and has won
awards for her fine linoprints. Her work is represented in private and public
collections.
Inspired by
her immediate environment and love of nature, Anna’s prints celebrate the
essence of tropical and inland Australia.
THE LINO PRINTING PROCESS
Anna has used
the Reduction method to make the colour linoprints. This method requires only
one lino block to create a multicoloured image. Parts of the lino are carved
away, one colour printed, further areas carved away, another colour printed and
so on until all colours have been printed, layer upon layer. With the addition
of etching the lino with caustic soda, embossing and hand colouring, a contrast
of textures is achieved.
Once printing
the edition is complete, further prints cannot be made from the linoblock as it
is destroyed in the process. As this technique is labour intensive, requiring
patience and skill, the prints are in a limited edition number.
Every print in the edition has
been individually made by hand, thus giving it a unique quality. The linoprints
are signed, titled and numbered by the artist.
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